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Useful articles on Tihai

Tihai is one of the important and widely used composition type in Indian classical music.Many types of composition includes Tihai. Music is combination of strokes and gaps. Normally we are focused on understanding & playing strokes or fillers, and ignore to study gaps. Tihais help us to understand this important topic i.e. "How to count gap?", so it is necessary to learn and master different Tihais. In this collection you will learn what is Tihai & some tricks to calculate simple/complex Tihais in different Taals which I discovered through self study

By Shivraj Sawant 5,379 views 9 compositions
#Tihai #Gap #Improvisation #Dupalli

Ashram Bhajanavali

This collection contains notations for Bhajans sung in Gandhiji's Ashram, as notated in the book <a href=https://archive.org/details/ashram-bhajanavali-edited-by-ramchandra-mathuri-khare/page/n1/mode/2up>Ashram Bhajanavali</a>. This book was published by Ramchandra and Madhuri Khare, the children of Pt. N M Khare, one of the co-authors of the <i>original</i> book of bhajans, and the musician-in-residence at GandhiJi's Sabarmati ashram. Pt Narayan Moreshwar Khare was a disciple of Pt. V D Paluskar, who is the composer of the tunes of several of the bhajans presented in the collection. It is unclear who composed the others. In all likelihood, most of the tunes have been composed by Pt. V D Paluskar and some of his disciples, including Pt. N M Khare. The original <b>Ashram Bhajanavali</b> was a far bigger collection of bhajans, but without notation, though it does specify the raag and taal for each bhajan. This book can be seen and downloaded from www.mkgandhi.org <a href=https://www.mkgandhi.org/ebks/hindi/ashram-bhajanavali.pdf> here </a>. This collection is a work in progress. Currently, the collection has: <ol> <li>Vaishnav Jan To </li> <li>Tu Dayalu, Deen Haun </li> <li>Madhav, Moh-Paas Kyon Tootai </li> <li>Yah Vinati </li> <li>Raghuvar Tumko Meri Laaj </li> <li>Jaagiye Raghunath Kunwar </li> <li>Aiso Ko Udaar </li> <li>Sune Ri Maine </li> <li>Ankhiyan Hari Darasan Ki Pyaasi </li> <li>Ab ki Tek Hamari </li> <li>Chhandi man </li> <li>Sab Din Hota Na </li> <li>Charan Kamal Bandau </li> <li>Ghoonghat ka Pat Khol </li> <li>Jheeni Jheeni </li> <li>Shoor Sangram Ko </li> <li>Mana Laago Mero Yaar </li> <li> Tu To Raam Sumar </li> <li> Thakur Tum Sharanai Aaya </li> <li> Sadho Man Ka Maan Tyago </li> <li>Bisar Gaee Sab </li> <li> Kaahe Re Ban Khojan Jaaee </li> <li> Sumaran Kar Le </li> <li> Payo Ji Maine </li> <li> Mori Laagi Latak </li> <li> Nahin Aiso Janma </li> <li> Mere To Giridhar Gopal </li> <li> Hari Tum Haro</li> <li> Mhane Chaakar Rakho </li> <li>Man Re Paras Hari Ke Charan</li> <li> Ajahun Na Nikasai </li> <li> Naam Japan Kyon Chhod Diya</li> <li>Narahari, Chanchal Hai Mati</li> <li> Koi Vando Koi Nindo </li> <li> Ho Rasiya Main To Sharana Tihari </li> <li> Chetan! Ab Mohi Darshan Deeje </li> <li> Raam Kaho, Rehman Kaho </li> <li> Sant Param Hitakaari </li> <li> Main To Birad Bharose </li> <li> Kar Le Singaar </li> <li> Bhootal Bhakti </li> <li> Nahi Re Visarun </li> <li>Mukhadaani Maya Laagi</li> <li> Sadguru Sharan Vina </li> <li> Deenanath Dayal Natawar </li> <li> Harine Bhajata </li> <li> Premala Jyoti </li> </ol>

By Anjana Iyer 1,999 views 47 compositions
#Tevra #Adana #Meerabai #Todi

Try

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By Ganesan 358 views 0 compositions

Merukhand Paltas - मेरुखंड

Smt. Piyuben Sarkhel has prepared Merukhand for the riyaz of the students with the combination of mathematical Alankaars. There are 22 merukhand paltas. Vocalist Piu Sarkhel trained in khayal under her father Kamal Bandopadhyay, who was a disciple of the renowned maestro Amir Khan of Indore. She presents the Indore gharana gayaki in concerts held in India and overseas. You will see a great change If you do riyaz with all the vowels (आ , ई , ऊ , ओ , अं , ऐ) along with sargam.

By Sunny Dyal 1,436 views 1 compositions

classes

No description provided.

By rahul 1,093 views 0 compositions

Articles for beginners

This is collection of articles for beginners. You will find basic articles of Swara music and Tabla. Irrespective of your stream [ Swara / Tabla ] , you must know basics of both.

By Shivraj Sawant 2,997 views 9 compositions
#Octave #Note #Beat #Tempo

Essentials for spontaneous improvisation

In this collection of articles, you will find some essential article to develop your ability of spontaneous improvisation. Most of the articles are for intermediate to advance students.

By Shivraj Sawant 3,085 views 12 compositions
#Laya #Riyaz #Tihai #Gap

Sargam Geet

No description provided.

By Dinesh Kamath 1,256 views 36 compositions
#Sargam geet #Raag Marwa #Marwa

Tabla Improvisation ideas while accompanying string instruments

You need expertise like solo Tabla player while accompanying string instrument, but from creativity point of view it demands more than Solo material. Accompaniment becomes interesting when Tabla player tries to follow improvisation as per structure of Gat of string instrument. Also tries to repeat same rhythmic pattern as demonstrated by main artist. There is lot of scope for creativity, so this is collection of some ideas on this topic.

By Shivraj Sawant 1,492 views 8 compositions
#improvisation #zaptaal #roopak #accompanyment

Composed by Me

Collections of compositions composed by me. When I say it is composed by me, it just means it was never taught to me or listened by me before.

By Shivraj Sawant 776 views 22 compositions
#roopak #peshkar #Peshkar #Roopak

Tutorial | Basics of commonly used Taals

In this tutorial you will learn basics of commonly used Taal in Indian classical music like Dadra, Roopak, Zaptaal, ektaal Teentaal etc. Take a quiz on common Taals : Take a quiz on Taal Dadra <a href="http://vishwamohini.com/quiz/quiz-info.php?id=7">http://vishwamohini.com/quiz/quiz-info.php?id=7</a>

By Shivraj Sawant 7,010 views 7 compositions
#dadra #roopak #zaptaal #ektaal

Tutorial | Raga Material for Vocal Prarambhik exam of Akhil Bharatiya Gandharva Mahavidyalay

Raga Material for Vocal Prarambhik exam of Akhil Bharatiya Gandharva Mahavidyalay. This tutorial is created & reviewed in collaboration with Pandit Rajendra Kandalgaonkar. You will find basic Alankar, then introduction, Sargamgeet, Laxangeet and Bandish for Raga. For some lessons videos are added. Currently there are two Raga added i.e. Bhoop and Khamaj. Material for other Ragas will be published soon.

By Shivraj Sawant 3,188 views 8 compositions
#alankar #prarambhik #bhoop #sargamgeet

50 Lessons for Tabla by Dr A Pawan with videos

50 Lessons for Tabla by Dr A Pawan with videos. All lessons in this series recited and performed by Dr. A. Pavan and posted on YouTube. Here is link to his YouTube channel : <a href="https://www.youtube.com/user/tabaliya/videos" target="blank">https://www.youtube.com/user/tabaliya/videos</a> These lessons are useful for beginner and intermediate-level students of Tabla Notes for each lesson are also shared in downloadable PDF format by Dr. A Pawan I have transcribed these lessons in the Vishwamohini format. You may find minor differences in the notations format as compared to shared in the video, but do not confuse with that. Just stick to one format of notations and continue your learning with that. Currently 15+ lessons are published by Dr A Pawan & work is in progress for remaining lessons.

By Shivraj Sawant 6,785 views 25 compositions
#teentaal #kayda #Tisra #Kayda

Tutorial | Understanding Tabla , its language and composition types

This Tutorial is useful for those who do not know anything about Tabla. Tabla is the most popular percussion instrument in Indian classical music. In this tutorial you will learn what is Tabla, then Tabla syllables (Bols) and its language. After we will understand different composition types & its specialty. This Tabla tutorial contains many compositions examples. With our online editor, you can edit the compositions, and click on a play button to listen the result.

By Shivraj Sawant 6,030 views 9 compositions
#Tabla #tabla #bols #Beat